% if none of this makes sense, go to http://www.cranfordpub.com/tunes/abcs % 6/1/02 % 40 tunes from Bremner's Collections (1757-1762, Edinburgh) % NOTE - metronome settings are arbitrary and may be adjusted using the Q field % posted in installments as part of a tune of the month feature % Robert Bremner, 1713-89 % annotated by Paul S. Cranford, 2002-05, Cape Breton, Nova Scotia % http://www.cranfordpub.com % Bremner's original melody, bowing, and embellishment symbols retained % editing includes alternate titles, historical references % occasionally pick notes have been added or removed to allow uninterrupted abc playback % playback tempos arbitrarily set % tune types (the R headers) have been added by PSC. Orignals are often ambigious % many titles include the word 'Reel' or Rant % in Cape Breton many of these are interpreted as strathspeys. % modal 'scale' signatures used as in originals % for gapped scales Bremner generally used the most economical signature % NOTE - 12/19/04 % Although an abc program installed in your computer has more functionality, % a browser can now convert a properly formatted abc tune to on-screen music. % Like the 'Hotmail concept', this enables translation of abc tunes from anyone's computer. % Just 'copy' an individual tune from the text file below % Then paste contents of your clipboard into on-line form. Submit and presto!! % for instructions go to http://www.cranfordpub.com % look for the link X:1 T:The Bridge of Anas R:strathspey C:traditional O:18th century Scottish B:Bremner's Collections,1757 N:melodic codes 1327b 427bL2 (1327 4272) Z:Paul Stewart Cranford (P.S.C.), Q:266 L:1/8 M:C| K:Ddor A|D/D/D F>D E2 c2|GFED CDEC|D/D/D F>D E2 d2|c>Ac>E D/D/D D:| A|d>edA d/d/d f2|Te>dce cdec|d>edA d/d/d f2|Te>dce d/d/d d2| d>edA d/d/d f2|Te>dce cdec|d>ec>d A>cG>A|F>GEd D/D/D D|] X:2 T:Ratha Fair R:reel C:traditional O:18th century Scottish B:Bremner's Collections,1757 N:melodic codes 5H5H2H4H 5H5H5H5H (5524 5555) Z:Paul Stewart Cranford (P.S.C.), Q:300 L:1/8 M:C| K:Ddor g|adag ecge|adag adag|adag ecge|(f/g/a) ge d2 d:| |:e|c(AA)c GAcG|cAAB cded|c(AA)c GAcG|(A/B/c) Ec D2 D:| X:3 T:I'll make you be fain to follow Me R:jig C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:Melodic Codes 31H2H2 31H 71H (3122 3171) Z:Paul Stewart Cranford (P.S.C.), L:1/8 M:6/8 Q:288 K:C C|(E/F/G)A c2 e|dDD D2 C|(E/F/G)A cdc|B>AB cGE| FdF EcE|dDD D2 C|(E/F/G)A c2 G|ECC C2:| |:g|ega gec|f>ge Td2 c|ega gec|g(a/g/f/e/) gec|(f/e/f/g/)a gec| [1(e/f/g)e d2 D|(E/F/G)A c2 G|ECC C2:|[2 f(g/f/e/) dgf|e2 c (e/f/g)d ecc c2|] X:4 T:Sodger Laddie T:aka Sailor Laddie R:jig C:traditional O:18th century Scottish B:Bremner's Collection, 1757 N:Melodic Code 3122 6113 Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:288 M:6/8 K:G g|TB>AG GDE|A>BA ABd|(e/f/g)(G G)DE|G>AG B2 G| cAc BGB|ABA ABd|(e/f/g)(G G)DE|[1G>AG G2:|[2 G2 G G2|| |:e/f/|g>ag gdB|Aaa Ta2 g|def gdB|g(a/g/f/e/) gdB| (c/B/c/d/e/f/) gdB|aAA ABd|(e/f/g)(G G)DE|G>AG G2:| X:5 T:Lady Mary Menzies Reel R:strathspey or reel % for strathspey set more dotted rhythms could be added C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic codes 5351H 5362 (5351 5362) N:an early setting of Lucy Campbell Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:288 M:C K:FLyd % Bremner used a no flat and sharp signature as defined above % 6 note scale with no 4ths (f|c)FAF cFfd|cFAF dGGA|cFAF cFag|fdcA cFF:| |:(e|f)cce f>gag|fdTcA gdd(e|f)dcA (f/e/f/g/ a)g|fdTcA cFF:| X:6 T:Cameronian Rant R:pipe reel or strathspey % for strathspey set more dotted rhythms could be added C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 5153 5153 N:for 4 turn F major reel setting see Skye Collection Z:Paul Stewart Cranford (P.S.C.), Q:300 L:1/8 M:C K:FLyd f|cF F/F/F cFAf|cF F/F/F c2 Ac|BG G/G/G BGAG|BG G/G/G TB2 A:| c|F(ff)g fdcA|F(ff)g fdcA|G(gg)a gfed|G(gg)a gfed| F(ff)g fdcA|F(ff)g fdcA|(e/f/g) df (e/f/g) df|(e/f/g) df Te2 d|] X:7 T:Blair Drummond T: aka - Rob and Lugi R:strathspey or pipe reel % for strathspey set more dotted rhythms could be added % 'modern' Cape Bretoner usually play a 4 turn setting, see Dungreen C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 1355 1322 Z:Paul Stewart Cranford (P.S.C.), Q:288 L:1/8 M:C K:Amix |:A/A/A Tc2 eaec|A/A/A Tc2 BgBG|A/A/A Tc2 eae(f|g)aef gdBG:| a2 (e/f/^g) aecA|a2 ef gdBG|a2 eg fae(g|f)aef gdBG:| X:8 T:The Lads of Elgin R:pipe reel C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:Melodic Codes 1351 25L7bL2 (1351 2572) Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:333 M:C| K:Amix B|ABcd edTcA|BE E/E/E GABG|ABcd edTcA|BE E/E/E (A2 A):| B|Aaef deTcA|BE E/E/E GABG|Aaef deTcA|BE E/E/E A2 AB| Aaef deTcA|BE E/E/E GABG|ABcd edTcA|BE E/E/E (A2 A)|] X:9 T:The Auld Wife ayont the fire R:strathspey C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 326L4 3211H (3264 3211) Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:244 M:C K:G d|TB2 AG E/E/E cA|TB2 AG G/G/G gd|TB2 AG E/E/E cA|BdAB G2 G:| |:c|B>cde c/c/c cA|B>cde d/d/d gd|B>cde c/c/c cA|BdAB G2 G:| X:10 T:The Fir Tree R:strathspey C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:later claimed by Nathaniel Gow, as a composition of his father, Niel Gow N:melodic code 311H6 27bL7b2 (3116 2772) Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:288 M:C K:D A|TF2 DB/c/ d>(AB>)G|TE2 =CA/B/ =c>GE>A|TF2 DB/c/ d>AB>G|TF2 DA/B/ c>Ad>G| TF2 DB/c/ d/c/B/A/ B/A/G/F/|TE2 =CA/B/ =c>GE>A|TF2 DB/c/ d>AB>G|TF2 D2 d>d d|| f|d/d/d f>d g>ef>d|ee/e/ g>e g>e=c>e|d>ef>g a>ba>f|gg f>edf| d/d/d f>d g>ef>d|e/e/e g>e g>e =c(f/g/|a>)fg>e f>de.c|B/A/B/c/ d/c/B/A/ TF>ED|] X:11 T:Rothemurches Rant R:strathspey C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 3135 1H61H6 Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:288 M:C K:C G|(TE>DE)C EGA>G c>GADE)C EcG>c Ee d>ed>A|c>de>d c>Ac>G|A/A/A a>g Te2 dc|A>cG>c Egg>a g>aTg>e|e>(aa>)b a>ba>g|e>gd>e c>de>c|e>a(Tg>e) d/d/d d:| |:g|Te2 d>c dc|G>Ac>d Te2 d>c|A>cG>c E L:1/8 Q:244 M:C K:G G>DE>G TB>A B2|d>eB>g TA>G E2|G>DE>G B>ABg|GG TA2 G2:| |:(de/f/ g>)d e>d TB2|d>eB>g TA>G E2|g>be>g d>eBg|AG TA2 G2:| |:G>BA>c B>GA>c|B>GA>E G>B, TA,2|G,>B,A,>C B,>DGB|GG TA2 G2:| |:(G/A/B/c/ d)g ed TB2|c>AB>G c>G TE2|(TBA/B/) (TcB/c/) de/f/ gf/e/|dG TA2 G2:| X:13 T:Don Side R:strathspey C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 1326L1323 (1326 1323) Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:288 M:C K:G A|G/G/G B>G TA>GEA|G/G/G B>G TA>GBG|c>AB>G TA>GEe|d>cTB>A B(GG):| (e|g)egB TA>GE(e|g>)dg>B g>dg>a|(b/a/g/e/ g>)B TA>GEe|d>cTB>A B(GG):| |:a|g/g/g b>a Ta>gea|g/g/g b>g Ta>gb>g|(b/a/g/a/ b>)g Ta>geg|d>cTB>A B(GG):| |:(E/F/|G>)DB,>D E(A, A,)(E/F/|G>)DB,>D G,>DB,>D|C>EB,>D E(A,A,)E|(G/F/E/D/) TB,>A, B,(G,G,)|] X:14 T:Sir John Malcolm T:aka - Munlochy Bridge (the more popular 19th century title from piper William Ross' 1885 book - key G) R:strathspey C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 51H3H 5555 Z:Paul Stewart Cranford (P.S.C.), Q:244 L:1/8 M:C K:D d|A>Bde fdef|A/A/A AF A2 Ad|A>Bde fdef|B/B/B dA B2 B:| b|a>baf Tedef|TA2 A>F A2 Af|a>baf Tedef|B/B/B dA B2 Bb| a>bfa Tedef|TA2 A>F A2 Ad|A>Bde fdef|dBdA B2 B|] % various triple meter tunes (3/2, 6/4, 9/8 all of which have changed overthe centuries) X:15 T:Dusty Miller T:aka - The Dusty Mills, Benny's Jig R:slip jig C:traditional B:Bremner's Collections, 1757, ONeill's Music of Ireland N:melodic code 352 7L22 Z:Paul Stewart Cranford (P.S.C.), L:1/8 M:6/4 Q:444 K:G B3 c d2 B2 A2 G2|F2 (A2A2)B2 A2 G2|B3 c (dcBA) G4|D2 (G2G2) B2 A2 G2:| |:B2 (d2d2) g2 Tf2 e2|a2 (A2A2) B2 A2 G2|B2 d2 d2 g2 Tf2 (ef|g2) (G2G2) B2 A2 G2| B2 (d2d2) g2 f2 g2|a2 (A2A2) B2 A2 G2|(Bc d2) (ef g2) (fg a2)|g3 a g2 d2 B2 G2|] % another possible way of notating (same notes as above original... different timing) P: as a slip jig - arr. P.S.C.- still using Bremner's bowing and ornaments M:9/8 Q:333 B2 c d2 B A2 G|F2 (A A2) B A2 G|B2 c (dcB A2) G|D2 (G G2) B A2 G:| B2 (d d2) g Tf2 e|a2 (A A2) B A2 G|B2 d d2 g Tf(ef|g2) (G G2) B A2 G| B2 (d d2) g f2 g|a2 (A A2) B A2 G|(Bcd) (efg) (fga)|g2 a g2 d B2 G|] X:16 T:Miss Murray's Reel R:slip jig % 1st turn reminiscent of a 'modern' Irish slip jig titled The Butterfly C:traditional B:Bremner's Collections, 1757 N:melodic code 512 513b (512 513) Z:Paul Stewart Cranford (P.S.C.), L:1/8 M:3/2 Q:444 K:Aminor e2 (A2 A2) c2 TB4|e2 (A2 A2) c2 BcdB|e2 (A2 A2) c2 TB4|e2 (A2 A2) c2 BcdB:| |:c2 c2 e2 c2 g2 c2|e2 c2 g2 c2 efge|c2 c2 e2 c2 e4|e2 (A2 A2) c2 BcdB:| X:17 T:Pipers Maggot T: aka The Piper's Whim R:slip jig % 9/8 setting of The Chorus Jig (aka The Kilfenora Jig) C:traditional B:Bremner's Collections, 1757, O'Neill, Waif's and Strays (1922) N:melodic code 315 31H5 (315 315) Z:Paul Stewart Cranford (P.S.C.), L:1/8 M:9/8 Q:333 K:Gmix d|TB2 G GAG dBG|(B/c/d)B gdB deg|TB2 G GAG dBG|(A/B/c)A fcA c2:| |:d|TB2 d gdB gdc|TB2 d gdB deg|TB2 d gdB gdB|(A/B/c)A fcA c2:| X:18 T:Brose and Butter R:slip jig C:traditional B:Bremner's Collections, 1757 N:melodic code 3b15 3b12 (315 312) Z:Paul Stewart Cranford (P.S.C.), M:9/8 Q:333 K:Aminor cde AcA AcA|cde AcA TB2 G|cde AcA ABc|TB2 G Gge dBG:| |:cde ege ege|cde ege dBG|cde ege e^fg|T^f2 d dge dBG:| X:19 T:I have a wife of my Ain T:aka - I Have a Wife of My Own (O'Neill Collection) R:slip jig C:traditional B:Bremner's Collections, 1757 N:melodic code 13b5 13b5 Z:Paul Stewart Cranford (P.S.C.), L:1/8 M:9/8 Q:333 K:Edor (EFE) G2 A B3|(EFE) G2 A BGE|(EFE) G2 A (Bcd)|(DED) F2 d (AFD):| (gag) (fgf) e3|(EFE) G2 A BGE|(gag) (fgf) (efe)|(DED) F2 d (AFD)| (gag) (fgf) e3|(EFE) G2 A BGE|(gag) (fgf) (efe)|(ABc) (dcB) (AFD)|] X:20 T:Hey my Nanny R:slip jig C:traditional, highland pipe tune B:Bremner's Collections, 1757 N:melodic code 633 632 Z:Paul Stewart Cranford (P.S.C.), L:1/8 M:9/8 Q:333 K:Amix Tf2 e cee cee|Tf2 e cee Bdd|Tf2 e cee cee|gfe dBG Bcd:| |:fga eae cde|fga dgd Bcd|fga eae cde|gfe dBG Bcd:| X:21 T:Cuzle together R:slip jig C:traditional, highland pipe tune B:Bremner's Collections, 1757 N:melodic code 355 357b L:1/8 M:9/8 Q:333 K:Amix Tc2 (e e)cf Te2 A|Tc2 (e e)ce g2 B|Tc2 (e e)ce aeg|fdf ece g2 B:| |:a2 (a a)ec a2 e|a2 (a a)ec g2 B|a2 (a a)ec aeg|fdf ece g2 B:| X:22 T:Woo'd & Married & a' R:slip jig C:traditional B:Bremner's Collections, 1757 N:melodic code 531 555 Z:Paul Stewart Cranford (P.S.C.), L:1/8 M:9/8 Q:333 K:F f|Tc2 B ABG F3|c2 c cdA c2 f|cdB (TA>GA) FGA|D2 d d>ec d2:| f|cde f>gf Te>dc|A2 c cdA c2 d|cde f>gf Te>dc|A2 d d>ec d2 f| cde f>ga efg|ABc fcA c2f|cdB ABG FGA|D2 d dec d2|] X:23 T:A Kiss for Nothing R:slip jig C:traditional B:Bremner's Collections, 1757 N:melodic code 633 632 Z:Paul Stewart Cranford (P.S.C.), M:9/8 Q:333 K:Flyd % actually F major (Hexatonic - missing fourth- no Bb's) F2 c A2 c d2 f|F2 c cAF GEC|FAc cAc d2 f|agf cAF G2 A:| |:(f/g/a)g fcf Acf|fcf Aca g2 (f/e/)|fce fga cde|fac dfF G2 A :| X:24 T:A feg for a kiss T: A Fig for a Kiss (O'Neill Collections) R:slip jig C:traditional B:Bremner's Collections, 1757 N:melodic code 155 244 Z:Paul Stewart Cranford (P.S.C.), L:1/8 M:9/8 Q:333 K:Eminor z|E2 B BGE BGE|FAD A Fd AFD|EFG ABc BAG|BeB AGF E2:| ||zeBe geg bge|dAd fdf afd|eBe geg bge|(gfe) Be^d e3| eBe geg bge|dAd fdf afd|(e/f/g)f edc BAG|BeB AGF E2|] X:25 T:The Highlandman Kiss'd his Mother T: aka The Maid in the Cherry Tree, The Curragh Races (Irish reel settigns, parts reversed) R:strathspey or reel % for strathspey set more dotted rhythms would be added C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 1H5H5H5H !H5H2H5 (1555 1525) Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:244 M:C| K:C c(gg)e gcge|c(gg)e dBGB|c(gg)e gcge|a^fge dBGB:| ceAe ceAe|ceAe (d/c/B/A/) GB|ceAe ceAg|a^fge dBGB:| X:26 T:Knit the Pocky T:aka - Lady McIntosh's Reel (4 turn strahspey setting, Cummings Collection) T:Corney is Coming (Irish reel setting) R:strathspey or reel % for strathspey set more dotted rhythms could be added D:for Cape Breton strathspey setting see Joe Confiant CD % a more ornate strathpey setting played by early 20th century Cape Breton fiddlers C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 11H13b 7b643 (1113 7643) Z:Paul Stewart Cranford (P.S.C.), Q:244 L:1/8 M:C K:Dmin D(dd)^c defd|cBAG FGEC|D(dd)^c d>ef>g|Ted^ce d/d/d d2:| defg afdg|Te>dcg ecge|defg afdg|ecge d/d/d d2| defg afdg|Te>dcg ecge|defg afgf ecge d/d/d d2|] X:27 T:Sleepy Maggy T: aka Malcolm's Wedding, Jenny's Chickens (20th century Irish title) R:strathspey or reel % for strathspey set more dotted rhythms would be added C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 5153 5142 Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:300 M:C K:Bminor Tf2 Bb fBde|Tf2 Bb eAce|Tf2 Bb fBde|(f/e/f/g/ a)f eAce:| |:fBdB fBde|fBdB eAce|fBdB fBde|(f/e/f/g/ a)f eAce:| X:28 T:Hoptoun House T: aka Sweet Molly, Sweet Mally, The Tap Room R:reel C:traditional B:Bremner's Collections, 1757 N:melodic code Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:333 M:C| K:Eminor d|E/E/E BE dEEe|dBAF DEFA|E/E/E BE dEEe|dBAF ({F/A/}) B2 E:| |:z|E(ee)f gefd|BdAF D>EFD|E(ee)f gefd|BdFA ({F/A/}) B2 E:| X:29 T:Merrily Dance the Quaker T:Merrily Kiss the Quaker's Wife (a 3 turn Irish setting) R:jig C:traditional B:Bremner's Collections, 1757 N:melodic code 15L26L 15L6L1 (1526 1561) Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:288 M:6/8 K:G (GAB) D2 B|A2 G TE2D|(GAB) D2 D |E3 G3:| dcB edc|dcB ABc|dcB efg|TB3 d3| dcB gfe|dcB A2 A|GAB D2 D|E3 G3:| X:30 T:Jenny Dang the Weaver R:reel C:traditional B:Bremner's Collections, 1757 O:18th century Scotland N:melodic code 3H555 653H2H (3555 6532) Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:300 M:C| K:D g|fA A/A/A ABAB|dA A/A/A Tf2 ed|fB B/B/B BABd|ABde Tf2 e:| |:f|defd efge|defd Te2 dB|defd eBgB aA A/A/A Tf2 e:| X:31 T:The Grant's Rant T:aka - Fevei feve Tunal chie (Cummings Collection 1778) T:Green Grow the Rushes (usual title for the reel setting) R:strathspey or reel % for strathspey interpretation more dotted rhythms would be added C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 1331 2662 Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:244 M:C| K:G A|G/G/G B>A BGGB|A/A/A ed eAAB|c2 ce d/c/B/A/ GB|cABG TA>GE:| |:A|G/G/G g>e gddg|e/e/e a>g aeef|gage d/c/B/A/ GB|cABG TA>GE:| X:32 T:The Burn of Carnie T: aka Miss Wedderburn % Miss Wedderburn is a 19th century reel setting, with a different 2nd turn) R:strathspey or reel % for strathspey set more dotted rhythms would be added C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 5L5L5L1 2226L Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:244 M:C| K:Amix E2 EF EFA(c|TB)ABc BAFA|E2 EF EFAc|TB>ABc A/A/A A2:| Tc>BAB cdec|d/c/B/A/ GA BcdB|Tc>BAB cdec|d/c/B/A/ ^GB A/A/A Ae| Tc>BAB cdec|d/c/B/A/ GA BcdB|cAdB ecfd|^geac A/A/A A2|] X:33 T:Tulloch Gorm R:strathspey % more dotted rhythms could be added C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 1542 3535 Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:288 M:C| K:Gmix (G/A/B/c/ d)G cF A2|BGdG Bcdg|BGdG cF A2|Ggdc TB2 AB:| Ggde fF A2|Ggde f>gag|fedf cF A2|gGde TB2 AB:| X:34 T:Lennox Love to Blantyre R:strathspey or reel % for strathspey set more dotted rhythms would be added C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 1131 2266 Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:288 M:C| K:F C|F/F/F F>G TA>GFA|G/G/G GA d>cdf|F/F/F F>G TA>GFA|GAFC D/D/D D:| |:f|cdfg agfa|gfga g>fdf|cdfg agfa|gfba Tg2 ff| cdfg agfa|gfga g>fdf|c/c/c af gfba|gfba Tg2 f|] X:35 T:Loch Ness T:aka - Sandy is My Darling R:strathspey or reel % for strathspey set more dotted rhythms would be added % in Cape Breton generally played as a reel C:traditional O:18th century Scottish B:Bremner's Collections, 1757 D:David Greenberg/Puirt a Baroque - Kinloch Fantasy (as a reel) N:melodic code 11H7b4 3b7bL7bL3b (1174 3773) Z:Paul Stewart Cranford (P.S.C.), L:1/8 M:C| K:Aminor A|A/A/A a2 gede|c(GG)A GAcG|A/A/A a2 gede|cABG A/A/A A:| |:B|A>Bcd e>dce|G/G/G GE c(GG)c|A>Bcd egde|cABG A/A/A A:| X:36 T:The Carle He Came O'er the Craft R:pipe reel or strathspey % for strathspey set more dotted rhythms could be added C:traditional O:18th century Scottish B:Bremner's Collections, 1757 D:David Greenberg/Puirt a Baroque - Bach Meets Cape Breton (with variations) N:1133 7b533 (1133 7533) Z:Paul Stewart Cranford (P.S.C.), L:1/8 M:C| K:Amix (A>BA)e cAce|g2 d2 (B/=c/d/c/ B)G|(A>BA)e cAce|(a^g/f/ e)d (c/d/e) (cA):| |:a(AA)B c>def|g(GG)A (B/=c/d/c/ B)G|A2 a>^g a2 (ef/g/)|(a/^g/f/e/ f)d (c/d/e) (cA):| X:37 T:Ye'll ay be welcome back again R:strathspey C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:1555 11H52 (1555 1152) Z:Paul Stewart Cranford (P.S.C.), L:1/8 M:C| K:D F|D/D/D A>B AFAB|D/D/D dB AFEF|D/D/D A>B ABde|fdef d/d/d d:| |:e|Tf>edf g>fef|A/A/A eA Tc>Aeg|Tf>edf g>fef|A/A/A (Tf>e) (d2 d):| X:38 T:Lady Doll Sinclair R:strathspey or reel C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 1343 27b27bL (1343 2727) Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:300 M:C| K:Amix B|A/A/A cA dBcA|B(gg)d BGGB|A/A/A cA dBcA|B(aa)e cAA:| |:g|(a/g/f/e/) ca eaca|B(gg)d BGGg|(a/g/f/e/) ca eaca|B(aa)e cAAg| (a/g/f/e/) ca eaca|B(gg)d BGGg|(a/g/f) (g/f/e) (f/e/d) (e/d/c)|B(aa)e cAA|] X:38 T:Captain Lockhart of the Tartar R:reel C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 1H532 22H4H2H (1532 2242) Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:333 M:C| K:C e|c(GG)F TE2 DC|D(dd)e fede|c(GG)F E(cTBA)|GEFD C/C/C C:| ||f|ecgc eg(Tfe)|defg afda|ecgc eg(Tfe)|fdge c/c/c cg| egcg ecgc|fdad fdaf|egde cdAc|GEcE C/C/C C|] X:38 T:Double Kisses R:reel C:traditional O:18th century Scottish B:Bremner's Collections, 1757 N:melodic code 1H51H2H 1H52H2 (1512 1522) Z:Paul Stewart Cranford (P.S.C.), L:1/8 Q:333 M:C| K:C e|c2 GE c2 de|c2 GE dDDe|c2 GE cdec|eagf ecc:| ||(e/f/|g)cge g(c c)(e/f/|g)cge a(d d)(e/f/|g)cge gcge|f(aTgf) e(c c)(e/f/| g)cge g(c c)(e/f/|g)cge a(dd)g|aegd ecdB|Aa(Tgf) e(cc)|] % if none of this makes sense, go to http://www.cranfordpub.com/tunes/abcs